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German Expressionism, Auteur Theory and Postmodern Cinema - Diploma
Introduction of German Expressionism, Italian Cinema and Japanese Cinema
German Expressionism and Film Noir (16:43)
Otto Preminger's Laura (1944) - Neo Noir (16:10)
Martin Scorsese's Taxi Driver(1976) Neo Noir (21:38)
Stars as Icons (16:34)
James Dean Phenomena (18:40)
Fans and Fandom (11:46)
Cinema and The Counterculture Movement (20:52)
The Beat Generation and Woodstock Nation (21:01)
Italian Cinema (22:10)
Italian Neo-Realism (12:18)
Italian Masters (16:13)
Japanese Cinema and Major Filmmakers - I (18:05)
Japanese Cinema and Major Filmmakers- II (16:51)
Japanese New Wave Movement (16:13)
Auteur Theory, New Hollywood and Major Filmmakers in New Hollywood
Auteur Theory in the USA: Andrew Sarris (17:51)
Auteur Theory: Howard Hawks (12:23)
Auteur Theory: Alfred Hitchcock (14:31)
Case Study: Rope (1948) (25:05)
Alfred Hitchcock as an Auteur (22:47)
New Hollywood Wave - I (10:13)
New Hollywood Wave - II (17:58)
Key People in New Hollywood (22:28)
Major Filmmakers: Hal Ashby (24:04)
Major Filmmakers: William Friedkin (24:46)
Major Filmmakers: Paul Schrader & Martin Scorsese (22:07)
Roman Polanski & Alan J. Pakula - I (12:04)
Roman Polanski & Alan J. Pakula - II (15:07)
George Lucas and Steven Spielberg - I (16:29)
George Lucas and Steven Spielberg - II (19:07)
Introduction of Genre, Post Modern Cinema and The Western
Cinema and Genre (13:51)
Dudley Andrews and Rick Altman (24:23)
10 Tendencies of Film Genres (13:22)
Gangster Genres and Cinema - I (20:21)
Gangster Genres and Cinema - II (24:50)
Genre Blending (12:53)
Postmodern Cinema - Linda Hutcheon (11:55)
Fredric Jameson and Ihab Hasan (13:09)
Features of Postmodern Cinema (25:22)
Major Movies in Postmodern Cinema - Case Study: Face/Off (25:17)
Case Study: Natural Born Killers (15:32)
The Self Conscious Cinema (12:27)
The Western - I (16:28)
The Western - II (14:30)
There will be Blood by Paul Thomas (19:32)
QUIZ
FINAL Lecture - CONGRATS!
Auteur Theory in the USA: Andrew Sarris
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